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  • Poetry #37 May '25
  • Flash #37 May '25
  • Poetry #36 Feb '25
  • Flash #36 Feb '25
  • Latinx Poetry Month
  • The Maureen Seaton Prize
    • Maureen Seaton's Poetry
  • JUST SAY GAY
  • ABOUT
    • Archives >
      • Poetry #35 Nov '24
      • Flash #35 Nov '24
      • Poetry #34 Aug '24
      • Flash #34 Aug '24
      • POETRY #33 May '24
      • FLASH #33 May '24
      • POETRY #32 Feb '24
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      • POETRY #31 NOV '23
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    • MASTHEAD
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  • Special Section
    • A BRIEF HISTORY OF SOUTH FLORIDA POETRY
    • Adam Day
    • Album of Fences
    • Broadsides
    • Favorite Poems
    • Follow the Dancer
    • In Memoriam, John Arndt
    • Hargitai Humanism and
    • Kiss & Tell
    • Lennon McCartney
    • Neighborhood of Make-Believe
    • PBPF Ekphrastic Contest
    • Paradise
    • Patricia Whiting Memorial
    • Rystar
    • Surfside
    • Visit to the Rio Grande
    • WHAT FICTION ARE YOU READING?
    • SNAPS
    • SoFloPoJo Nominations >
      • Best of the Net Nominations
  • Video
    • Florida Center for the Book
    • MIAMI BOOK FAIR Interviews >
      • MBF2023 >
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SOUTH FLORIDA POETRY JOURNAL
Mary Jane Ryals             Tallahassee               (Michael Trammell)
Florence after Lockdown, 2021
--for Greg, Jonathan and Michael

On the bones of my ears I hear chatter
all day and all night, the chatter of Saturday city--
the bust-out from lockdown for months
the echo off Santa Croce piazza of dog bark
of horse clip-clop, of dishes clattering,
church bells clanging, the double-door slam 
of palacio entrada. In the alleys song of North 
Africans calling to god, that release of pain.

Our neighbors who live here say during Covid
Firenze was so quiet that the foxes and porcupines
walked the abandoned city streets. On Sunday
in the Duomo, the pipe organ blasts bass,
vibrates through us like lions, the priest’s voice 
a rasping tenor, tender surprise. The solo by the alto
reminds my ears of water and wavy glass 
in a beach house at sunrise. Where are you?

Where is your sound when you are thinking?
For me, the purple flowers in pots at Le Vespe
Ristorante sing the soprano of the choir woman-- 
slow vibrato rising as incense up and up. These old 
choir songs take me to Appalachian Americana songs
700 years later, only with guitars and banjos, their major 
and minor weaving like Penelope’s silk gowns. This 
wistful prayer, yes that same release of pain.
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