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  • Poetry #39 Nov '25
  • Flash #39 Nov '25
  • Poetry #38 Aug '25
  • FLASH #38 AUG '25
  • Poetry #37 May '25
  • Flash #37 May '25
  • Poetry #36 Feb '25
  • Flash #36 Feb '25
  • Latinx Poetry Month
  • The Maureen Seaton Prize
    • Maureen Seaton's Poetry
  • JUST SAY GAY
  • ABOUT
    • Archives >
      • Poetry #35 Nov '24
      • Flash #35 Nov '24
      • Poetry #34 Aug '24
      • Flash #34 Aug '24
      • POETRY #33 May '24
      • FLASH #33 May '24
      • POETRY #32 Feb '24
      • FLASH #32 Feb '24
    • Calendar
    • Contributors >
      • Contributors 2016-19
    • MASTHEAD
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  • Essays 2024-25
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  • Special Section
    • A BRIEF HISTORY OF SOUTH FLORIDA POETRY
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SOUTH FLORIDA POETRY JOURNAL
Landis Grenville       Tallahassee     (David Kirby)
45 Union Line to Presidio 
                            When the child was a child, 
                            It didn’t know it was a child.     
    
Sometimes the sky can be this close, dawn weighing across 
roofs and in the net of trolley lines, a city asleep 
under the table of the world, but for this slight of hand 
as night’s linens strip to blue. And I have given up on being 
a saved woman. I want this city and its lively ossuary. 
Just the worship of a bus on time and in the right direction. 
Heading along into the accident of my life as it arrives 
and retreats along the fine thread of the hour. And looking out, 
why here and not there? One purple flower outside the window. 
Two aspirin for the headache I’ve had all night. Sometimes
the world confiding itself behind the blare of the sun 
is too much to hear all at once! It says, turn away, and I do. 
And why not? Earth is still a beautiful place to die. Once, 
my mother sewed white feathers to cardboard and dressed us 
in the gauze of flight and the smack of pearls as we landed. 
It is true I do not want to die. Though nor do I want to be 
an orchard governed, paradise remedied of the ordinary I.
Odd to say the world is as old as man though the dirt is older. 
In the scalpeled breeze of the bus departing, I stumble 
through the park already crowded by the plectra of voices. 
This simple stage—grass and asphalt, a child’s pink giraffe--
all arriving out of nothing. Teenagers interrupt the field, huddling 
in the grass to sip from a single gas station cup. The nannies 
on the benches, lit in morning, slip into small laughter. Alone,
I press into the stillness of a concrete wall edging along the grass. 
The light ardent through my eyes shut. No one is noticing 
the baby boy, down on his knees in the center of the playground, 
his eyes pinning that fugitive sky. Grace is the body arriving 
in present tense. I am only saying, not yet, not yet.
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