SoFloPoJo
  • Maureen Seaton
  • Poetry #30 AUG '23
  • FLASH #30 AUG '23
  • JUST SAY GAY
  • Calendar
  • Contributors
    • Contributors 2016-19
  • Essays
  • Interviews
    • Interviews 2020-21
    • Interviews 2016-19
  • Reviews
    • Reviews 2020-21
    • Reviews 2016-19
  • Special Section
    • A BRIEF HISTORY OF SOUTH FLORIDA POETRY
    • Adam Day
    • Album of Fences
    • Broadsides
    • Favorite Poems
    • Follow the Dancer
    • In Memoriam, John Arndt
    • Hargitai Humanism and
    • Kiss & Tell
    • Lennon McCartney
    • Neighborhood of Make-Believe
    • PBPF Ekphrastic Contest
    • Paradise
    • Rystar
    • Surfside
    • Visit to the Rio Grande
    • WHAT FICTION ARE YOU READING?
    • SNAPS
    • SoFloPoJo Nominations >
      • Best of the Net Nominations
  • Video
    • Florida Center for the Book
    • MIAMI BOOK FAIR Interviews
    • MIAMI BOOK FAIR POEMS
    • Palm Beach Poetry Festival
    • SFPJ Video
  • Visual Arts
    • Visual Arts 2020-21
    • Visual Arts 2016-19
  • Archives
    • Poetry #29 MAY '23
    • FLASH #29 May '23
    • Poetry #28 Feb '23
    • Flash #28 Feb '23
    • Poetry #27 - NOV 22
    • FLASH #27 - Nov 22
    • POETRY #26 - AUG 22
    • FLASH #26 - AUG 22
    • POETRY #25 - May 22
    • FLASH #25 - May 22
    • POETRY #24 - Feb 22
    • FLASH #24 - FEB 22
    • POETRY #23 - NOV 21
    • FLASH #23 - NOV 21
    • ISSUE 22 POETRY AUG 21 >
      • ISSUE 22 POETRY PG 2 AUG 21
    • ISSUE 22 FLASH AUG 21
    • ISSUE 21 POETRY MAY 2021
    • ISSUE 21 FLASH May 2021
    • ISSUE 20 FEB 2021
    • ISSUE 19 NOV 2020
    • ISSUE 18 AUG 2020
    • Issue 18 Pt. 2 of AUG 2020
    • ISSUE 17 MAY 2020
    • ISSUE 16 FEB 2020
    • ISSUE 15 NOV 2019
    • ISSUE 14 AUG 2019
    • ISSUE 13 MAY 2019
    • ISSUE 12 FEB 2019
    • ISSUE 11 NOV 2018
    • ISSUE 10 AUG 2018
    • ISSUE 9 MAY 2018
    • ISSUE 8 FEB 2018
    • ISSUE 7 NOV 2017
    • ISSUE 6 AUG 2017
    • ISSUE 5 MAY 2017
    • ISSUE 4 FEB 2017 >
      • Kostelanetz Visual Poem
    • ISSUE 3 NOV 2016
    • ISSUE 2 AUG 2016
    • ISSUE 1 MAY 2016
  • MASTHEAD
  • Submission Guidelines
  • Tip Jar
  • WITCHERY
  • Anthology Contributors
  • ANTHOLOGY OF FLORIDA POETS
  • Maureen Seaton
  • Poetry #30 AUG '23
  • FLASH #30 AUG '23
  • JUST SAY GAY
  • Calendar
  • Contributors
    • Contributors 2016-19
  • Essays
  • Interviews
    • Interviews 2020-21
    • Interviews 2016-19
  • Reviews
    • Reviews 2020-21
    • Reviews 2016-19
  • Special Section
    • A BRIEF HISTORY OF SOUTH FLORIDA POETRY
    • Adam Day
    • Album of Fences
    • Broadsides
    • Favorite Poems
    • Follow the Dancer
    • In Memoriam, John Arndt
    • Hargitai Humanism and
    • Kiss & Tell
    • Lennon McCartney
    • Neighborhood of Make-Believe
    • PBPF Ekphrastic Contest
    • Paradise
    • Rystar
    • Surfside
    • Visit to the Rio Grande
    • WHAT FICTION ARE YOU READING?
    • SNAPS
    • SoFloPoJo Nominations >
      • Best of the Net Nominations
  • Video
    • Florida Center for the Book
    • MIAMI BOOK FAIR Interviews
    • MIAMI BOOK FAIR POEMS
    • Palm Beach Poetry Festival
    • SFPJ Video
  • Visual Arts
    • Visual Arts 2020-21
    • Visual Arts 2016-19
  • Archives
    • Poetry #29 MAY '23
    • FLASH #29 May '23
    • Poetry #28 Feb '23
    • Flash #28 Feb '23
    • Poetry #27 - NOV 22
    • FLASH #27 - Nov 22
    • POETRY #26 - AUG 22
    • FLASH #26 - AUG 22
    • POETRY #25 - May 22
    • FLASH #25 - May 22
    • POETRY #24 - Feb 22
    • FLASH #24 - FEB 22
    • POETRY #23 - NOV 21
    • FLASH #23 - NOV 21
    • ISSUE 22 POETRY AUG 21 >
      • ISSUE 22 POETRY PG 2 AUG 21
    • ISSUE 22 FLASH AUG 21
    • ISSUE 21 POETRY MAY 2021
    • ISSUE 21 FLASH May 2021
    • ISSUE 20 FEB 2021
    • ISSUE 19 NOV 2020
    • ISSUE 18 AUG 2020
    • Issue 18 Pt. 2 of AUG 2020
    • ISSUE 17 MAY 2020
    • ISSUE 16 FEB 2020
    • ISSUE 15 NOV 2019
    • ISSUE 14 AUG 2019
    • ISSUE 13 MAY 2019
    • ISSUE 12 FEB 2019
    • ISSUE 11 NOV 2018
    • ISSUE 10 AUG 2018
    • ISSUE 9 MAY 2018
    • ISSUE 8 FEB 2018
    • ISSUE 7 NOV 2017
    • ISSUE 6 AUG 2017
    • ISSUE 5 MAY 2017
    • ISSUE 4 FEB 2017 >
      • Kostelanetz Visual Poem
    • ISSUE 3 NOV 2016
    • ISSUE 2 AUG 2016
    • ISSUE 1 MAY 2016
  • MASTHEAD
  • Submission Guidelines
  • Tip Jar
  • WITCHERY
  • Anthology Contributors
  • ANTHOLOGY OF FLORIDA POETS
  SoFloPoJo
C.M. Clark    Sebastian    (Sean Sexton)
Next to Last Chance Saloon

Halfway between cow and cormorant
Lake Wales appears. Your perfect excuse
to quit driving. To quit
the keener purpose of driving
between what is boundless and the finite. Always
the ground between.
An off-road shoulder like some old woman’s bed
growing colder with years and indifferent. Can you imagine
the sheer acreage of exfoliating skin?

The body scent that fades
with each day’s exhalation? Or are you called instead
inside a virtual elsewhere, the echoed jackhammer of feet
up
dizzying hexagons of tiled stairways?
Migraine-blind you rise 
six flights. But the back bedroom stays hidden--
just waiting behind dry cleaning and winter coats
cocooned and swaddled in plastic. These

are the places that joust, that beckon
east to west, taking refuge and a lunch
where avoidance is most likely preferred
offering either
chicken fried steak or breakfast all day. Or
just the jazz
of numbing hours
and miles, just
for the lust of soft Gulf water.

There is a dead spot I like
between points on the map.
Still too close to the town receding
as only a vague blur of slow traffic
and low buildings fixed

in the rearview mirror. Yet
not yet near enough the next county line --
not yet my destination -- yet a welcome
relief from the monotony
of brush and flat field.

In this dead spot I spin the dial.
Still a younger sister to radio days, knowing
the place by the cellphone towers.
Better than the billboards,
the come-to-Jesus vowels crooning

the oldies, the country quick nod
to God and Sunday.
But here
in the dead
spot

I snag only fragments of a place
already distant, and even fewer
half sentences anticipating
the next exit
still out beyond my windshield.

Straining to hear the transmissions
of forgettable voices straining
to assemble some meaningful
message, although every third word is swallowed
within the blur of road noise and wind shear.

From here to your front door due west
pavement plumbs the numbing miles.
The succinct limits of my very human vision –
my old tired eyes – the tired blue – succumbing
to cataract fog and still
straining west, the still unseen outpost
on your coast beyond my best attempt
to conjure you in your kitchen, closing
lower cupboards, with a brisk hip move.

The drawer with flatware juddered in closing, 
hiding coupons, and lyrics to songs
that frame the stanzas of every evening’s lullaby,
these late days left unsung. But
I hear it. Between waves.
Unseen
like the air.
Unflinching
like the sea.